Technical Information 

 

 

 

The Mountain Arts Center houses a professional sound and lighting setup and a hard-working technical staff that is ready to help your show reach its potential. Listed below is the current technical system we have running. For more information, contact our technical director Robert Daniels. 

 


 

STAGE  

  

Proscenium Opening: 54’ Wide x 22’ High; 26’ from downstage lip to main curtain; 33’ from main curtain to upstage cyc curtain. 

  

THEATER LIGHTING SYSTEM 

  

 1. Controls: ETC Insight 2x Control System

2. (212) Stage Dimmers

 3. (2) Catwalks 

4. (2) Box Booms 

5. (4) Wall Booms 

6. (4) Electric Battens 

  

SOUND SYSTEM 

  

40 Channel BSS Active Splitter 

Already hard-wired in place from 40 stage inputs to FOH; to recording studio; and to monitor stage mix. 

            40 Outputs (XLR male) available on front of splitter modules for additional routing 

            (remote truck, additional monitors, FOH, etc.) 

 

Mains Console 

Yamaha M7CL 48x16x8x3 console with 8 DCA’s           

Master Left, Right, Mono, and Sub Main Outputs

40 mic input channels 

4 Stereo input channels 

16 Omni outputs (XLR) 

            

FOH Aux Rack 

1 - ClearCom RM-440 intercom module 

1 – BSS FCS 966 Dual 31-band graphic EQ (LR) 

2 – DBX 3231 Dual 31-band graphic EQ (Mono and Subs) 

2 – 48 point patch bays

1 – Local Tie Bay (for patching outboard gear) 

  

Control Room Rack 

3 – ADC patch bays (mic routing) 

1 – Clearcom R220 intercom module 

1 – Sennheiser Infrared Hearing Impaired Assistance system 

1 – DBX 160 XT Compressor / Limiter 

2 – Tannoy CPA5 control room monitors 

1 – Crown D-75 monitor amp 

  

Mains Power & Speakers 

X-Over – BSS Soundweb Processors 9008 & 9088ii 

4 – (2L & 2R) flown Clair Bros. R3T’s tri-amped w/ 

                        2 – Crown MA3600 (lows) 

                        2 – Crown MA3600 (mids) 

                        2 – Crown MA600 (highs) 

Center Cluster – 6 Clair Bros “CAT” System bi-amped w/ 

                        2 – Crown MA2400 (lows) 

                        2 – Crown MA600 (highs) 

Subs –  Clair Bros CS-18’s powered by 

               1 – Crown MA5000 

  

            *Also, there is an EAW JF-60 Lip-speaker system installed in the downstage lip of the stage to cover the first few rows of seats. It is also powered by Crown amps. 

  

Fixed Monitor System

9 – Clair Bros. Wedge A floor monitors 

Powered by: 

Crown Macro 24 x 6 power amps 

*There can be up to 7 individual monitor mixes in this configuration. 

  

On Stage Monitor Mixing System  

Optional System 

10 Stage Mixes – Bi-amped 

10 – Clair Bros. Wedge A floor monitors 

3 – SR4704 JBL 15” and 2” Horn 

2 – JBL AS 2225 2-15” and 2” Horn sidefills 

11 – Crown Macro 24 x 6 (10 mix and 1 cue) 

1 – Crown MA 600 (SF High) 

1 – Crown MA 5000VZ (SF Low) 

1 – 40 channel snake from split panel to console 

5 - DBX 3231L Dual band Graphic EQ’s 

  

Yamaha MC3210 Console 

  

Supplemental Side-stack System 

6 – EAW KF650 isp (3L, 3R) 

2 – EAW SB250 (Low) 

Powered By: 

2 – Crown xti 2000 (High) 

2 – Crown xti 4000 (Mid) 

2 – Crown MA 5000VZ (Low) 

  

Wired Mics 

1 – Shure Beta 56 

2 – Shure Beta 52 

5 – Shure Beta 58

1 – Shure SM 58 

6 – Shure SM 57 

    4 – Sennheiser 421 

    4 – Sennheiser 540 

4 – Beyer 201 

2 – AKG 460 

4 – Crown PCC160 

6 – Countryman Type 85 Active Direct Boxes 

1 – Sony ECM44B Lavalier Mic 

12 – Atlas MS12C Chrome Stands 

8 – Atlas MS-7 Short Chrome Stands 

6 – AKG KM201A/2 Black Tripod Stands 

12 – AKG KM211/1 Black Boom Arms 

  

Wireless Mics 

10 – Shure ULXP4 Wireless Receivers 

8 – Shure Handheld Microphones 

4 – Shure Beta 87A 

4 – Shure Beta 58 

2 – Shure ULX Body Pack Transmitters (For instruments, or lav mics) 

3 – Countryman Isomax Headset Mics 

6 – Countryman EMW Lavalier Mics 

8 – SC1 Instrument Adapter Cables 

  

HOUSE INTERCOM SYSTEM 

  

Clear-Com with 2 tech and 2 house channels available. 

  

HEARING IMPAIRED SYSTEM 

  

Sennheiser Infra-red with 20 headset receivers. 

  

RIGGING SYSTEM 

  

See separate rigging system description. 

  

COMPANY SWITCHES 

  

(1) 400 Amp Company Switch 

(2) 200 Amp Company Switch 

  

LOADING DOCK 

  

The facility’s loading dock is located at left rear of building and is 18” higher than street level. Access to backstage is through two 10’ roll-up doors. Distance from dock to stage is approximately 30’.